I expect to retire to a fine-grained heaven where the temperatures are always consistent, where the images slide before one's eyes in a continual cascade of form and meaning.

The artist and the photographer seek the mysteries and the adventure of experience in nature.

To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.

It is increasingly clear to me that my art relates more and more to a sublimation of my closeness to the natural world, it's events, light itself, and the positive it is a personal expression based on observation and reaction, that I am not able to define except in terms of the work itself.

Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.

I think we can not categorize. Things do not fit into a mold.

Photography is an austere and blazing poetry of the real.