There is nothing worse than a sharp image of a fuzzy concept.

Photography and photographers have an inevitable development. They progress more or less by steps. Every five or ten years some new point of view is developed and young people are inclined to follow it.

The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.

The camera cannot, but the photographer can.

I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.

You don't take a picture, you make a picture.

All I can do in my writing is to stimulate a certain amount of thought, clarify some technical facts and date my work. But when I preach sharpness, brilliancy, scale, etc., I am just mouthing words, because no words can really describe those terms and qualities it takes the actual print to say, “here it is.