The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.

You don't take a photograph, you make it.

...one sees differently with color photography than black-and-white... in short, visualization must be modified by the specific nature of the equipment and materials being used.

The best picture is around the corner. Like prosperity.

The whole world is, to me, very much "alive" - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.

Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.

I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.