I know the importance of highly trained awareness of the “moment” and the immediate and intuitive response of the photographer. It should be obvious to all that photographers whose images possess character and quality have attained them only by continued practice and total dedication to the medium.

It is increasingly clear to me that my art relates more and more to a sublimation of my closeness to the natural world, it's events, light itself, and the positive it is a personal expression based on observation and reaction, that I am not able to define except in terms of the work itself.

A photograph is not an accident - it is a concept.

The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.

Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.

The only things in my life that compatibly exists with this grand universe are the creative works of the human spirit.

You don't take a photograph, you make it.