My work has been marginalized as far as the jazz-business complex is concerned, or the contemporary-music complex.

Growing up in the '50s and being in the '60s, in that revolutionary time space, I thought freedom was what I was looking for. Slowly but surely, it became clear that the last thing I was interested in was freedom. Because if you're going to be free, you have to be free from something.

I am interested in the study of music and the discipline of music and the experience of music and music as a esoteric mechanism to continue my real intentions.

I'm a post-Abner Jay kind of guy mixed with Roger Corman and Frankie Lymon and the Teenagers.

My work has been marginalized as far as the jazz-business complex is concerned, or the contemporary-music complex.

Evolution is the phenomenon of change and the challenge of the next time cycle will involve the creation of constructs that will provide the kind of dynamic knowledge base that can assist the challenges of tomorrow (involving both fundamental and extended information).

I have learned through time that not everyone is interested in the kinds of things that fascinate me.