My work has been marginalized as far as the jazz-business complex is concerned, or the contemporary-music complex.

Evolution is the phenomenon of change and the challenge of the next time cycle will involve the creation of constructs that will provide the kind of dynamic knowledge base that can assist the challenges of tomorrow (involving both fundamental and extended information).

I'm a post-Abner Jay kind of guy mixed with Roger Corman and Frankie Lymon and the Teenagers.

I have learned through time that not everyone is interested in the kinds of things that fascinate me.

For the most basic assumption that dictated my early attempts to respond to creative music commentary was the mistaken belief that western journalists had some fundamental understanding of black creativity—or even western creativity—but this assumption was seriously in error.

Most African Americans, especially the men and women from my generation, would accept the nationalist gambit that says only European Americans can be racists, which is an interesting gambit.

I am viewed as the Negro who has gone outside of the categories assigned to me.