Language exists less to record the actual than to liberate the imagination.

What's it going to be then, eh?

The writer's life seethes within but not without.

Elgar is not manic enough to be Russian, not witty or pointilliste enough to be French, not harmonically simple enough to be Italian and not stodgy enough to be German. We arrive at his Englishry by pure elimination.

If you expect the worst from a person, you can't ever be disappointed... The pessimist takes a sort of gloomy pleasure in observing the depths to which human behaviour can sink. The more sin he sees, the more his belief in Original Sin is confirmed. Everyone likes to have his deepest convictions confirmed; that is one of the most abiding of human satisfaction.

The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. I should not have written the book because of this danger of misinterpretation.

It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now.