The practice of fiction can be dangerous: it puts ideas into the head of the world.

I viddied that thinking is for the gloopy ones and that the oomny ones use like inspiration and what Bog sends. For now it was lovely music that came to my aid.

This truth may be handled either sinfully or profitably; sinfully as when it is treated on only to satisfy curiosity, and to keep up a mere barren speculative dispute.... This point of election... is not to be agitated in a verbal and contentious way, but in a saving way, to make us tremble and to set us upon a more diligent and close striving with God in prayer, and all other duties.

There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition

Fumbling for a word is everybody's birthright.

Blockbusting fiction is bought as furniture. Unread, it maintains its value. Read, it looks like money wasted. Cunningly, Americans know that books contain a person, and they want the person, not the book.

Hitler was a teetotalitarian.