I was always on my oddy knocky.

One goes on writing partly because it is the only available way of earning a living. It is a hard way and highly competitive. My heart drops into my bowels when I enter a bookshop and see how fierce the competition is...There is also a privier reason for pushing on, and that is the hopeless hope that someday that intractable enemy language will yield to the struggle to control it... Mastery never comes, and one serves a lifelong apprenticeship. The writer cannot retire from the battle; he dies fighting.

Put it off for a bit. All life is putting off. Well, not entirely.

... A CLOCKWORK ORANGE- and I said: 'That's a fair gloopy title. Who ever heard of a clockwork orange?' Then I read a malenky bit out loud in a sort of very high type preaching goloss: '- The attempt to impose upon a man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpen-

That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.

The practice of fiction can be dangerous: it puts ideas into the head of the world.

I've always felt that English women had to be approached in a sisterly manner, rather than an erotic manner.