For me, making music in general is a therapeutic process. It began as a way for me to meet friends, and when you're a kid just screaming your face off, you're processing anger; you're processing all the things that happened to you, whether it's mistrust or confusion, whether you've gone through abuse.

I'm three years into my recovery from heroin and all this stuff and I want to be able to help people. But they have to do it on their own.

I got really lucky when I found somebody that I want to be friends with forever.

If you do the right thing, the right thing will come down the path.

As far as keeping my sanity, it's something I've only recently tried to focus on as a means of self-preservation.

When you write a song you're more or less saying, "This is everyone. I think this is everyone." It doesn't necessarily have to be this thing where I go out and I'm like candy-striping, or becoming a therapist or something. I think that maybe, maybe I'm supposed to [be a musician], because of that fact.

I don't think anything has changed about me but my priorities have changed. At one point I was living my life and I didn't see a direct correlation between who I was affecting with my actions. I'm not as reckless, I'm probably not as fun or funny. I've turned to my dad's sense of humor. I think that having a family has put a lot more focus on what I do.