My mother, father and brothers (I was the youngest of three boys), were all very sarcastic and we were a complete Irish-Catholic family. We didn't talk about our feelings ever, and if we did, we were yelling about them - there was no in-between. That's just carried over so many ways in my life and sabotaged relationships, sabotaged creative stuff.

They say what doesn't kill the soul will make you stronger, but you can't be a stone-hearted man.

For a really long time, I've been trying to find balance where I can talk about my feelings and be upfront with people, confront issues and not have to beat them to death or ignore them.

If you do the right thing, the right thing will come down the path.

When you write a song you're more or less saying, "This is everyone. I think this is everyone." It doesn't necessarily have to be this thing where I go out and I'm like candy-striping, or becoming a therapist or something. I think that maybe, maybe I'm supposed to [be a musician], because of that fact.

I deal with everything in my life in music - everything that ever happens to me just finds its way into a song or onto a record. I need it. It's like my life jacket. If I didn't have that way of processing those feelings, I'd probably be a murderer.

For me, making music in general is a therapeutic process. It began as a way for me to meet friends, and when you're a kid just screaming your face off, you're processing anger; you're processing all the things that happened to you, whether it's mistrust or confusion, whether you've gone through abuse.