I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

There is nothing to be scared of in movies. It's a bit scarier going on stage.

On his Hannibal Lector mask: I've got it at home. I wear it to bed every night.

I worked at the Steel Company Of Wales when I was 17. My job was to supply tools to the guys working the blast furnaces.

Some nights you might go through an entire performance and not feel a thing, and the audience may have a much better time, 'cause if you're enjoying yourself on stage too much, they're having a terrible time because they can't hear you. And if you're a woman your mascara's running.

People ask, 'Should I call you Sir Hopkins?' But I say, 'No. Call me Tony,' because it's too much of a lift-up.

Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.