I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

Oh, the truth, oh yeah, lot of trouble that got us into, didn't it, over the last maybe thousand years? Hitler knew the truth, so did Stalin, so did Mao Zedong, so did the Inquisition. They all knew the truth and that caused such horror. Certainty is the enemy.

I've had no ­contact with my daughter for years. That's her choice. Anyway, you move on. If people don't want to bother with me, fine. You know, God bless them, and move on.

Most of my last 30 years have been like that. Results and manifestations of things I'd dreamed of as a young kid and wanted as a child and as a young man. I realized it maybe 30 years ago. I thought, "This is unreal. This has happened as I expected it to, as I'd pictured it." My whole life has been like that and I'm fascinated by that power that we all have. That we create our lives as we go.

I have no interest in Shakespeare and all that British nonsense... I just wanted to get famous and all the rest is hogwash.

Oh yes. I'm an actor, so I just learn my lines, and show up and do it. I gave it a little bit of thought.

I've always liked American actors particularly. Because that was my first impression. I was very enamoured of America when I was a kid because we were surrounded by American soldiers during the war, the accent was very strange to me, it was very exotic and very captivating.