I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

Hitchcock was such a master of putting on screen things that made you uneasy. Somebody once asked him what frightened him most, and he said the police. He came from a poor background. I think he understood those fears.

I can't stand directors who try to micro-manage everything. When it happens these days I just walk off set, saying if they don't like the way I'm doing it they can get someone else.

I look in the mirror and I see the lines, but I don't care. It's a good time. I don't know why it's such a good time, but it's a good time.

I like to work. I don't like to disrupt my equilibrium. I don't like to change my head. I'd rather be a third-rate actor. It's a job, and I'm dedicated in my way. I enjoy it. I'm serious about it. But if it doesn't come off, I'm not going to die.

If you don't follow through on your dreams, you might as well be a vegetable.

I'm not a health freak. I just work out every day.