There's a thing that if you - somebody in faith is always troubled by doubt, and somebody by doubt is always wanted by faith. So it's a kind of paradox.

Some nights you might go through an entire performance and not feel a thing, and the audience may have a much better time, 'cause if you're enjoying yourself on stage too much, they're having a terrible time because they can't hear you. And if you're a woman your mascara's running.

Oliver Stone is a great director and I've seen many films over the years, but I try to create stuff out of my own imagination. I want to break all the rules and mess about with it and make a different movie just for the fun of it.

You have to be pretty tough to be an actor, and you have to be pretty certain what you want. You can't waffle through this business.

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

If you're in a successful play and the play is working well - I mean successful because the audiences like it, the audiences respond well - it's a pleasure.

Guilt is the thief of life.