We are fascinated by the darkness in ourselves, we are fascinated by the shadow, we are fascinated by the bogeyman.

I have no education, I have no academic background in painting or in music, but I write music and I compose music and I write and I sell paintings, and my rule is, well, they can't arrest me.

I'm one of the slowest drivers on the road. I mosey along. If you're doing anything too fast, including living life too fast, that creates sudden death. If I have to be somewhere on time, I make sure I leave early enough.

I don't waste time being soft. I'm not cold, but I don't like being, wasting my time with-life's too short.

There is nothing to be scared of in movies. It's a bit scarier going on stage.

I would like to go back to Wales. I'm obsessed with my childhood and at least three times a week dream I am back there.

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.