Oliver Stone is a great director and I've seen many films over the years, but I try to create stuff out of my own imagination. I want to break all the rules and mess about with it and make a different movie just for the fun of it.

A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti.

If you don't follow through on your dreams, you might as well be a vegetable.

I think one of the things you have to have is a respect for the camera, a real respect, and a real love for it, and to really, when I say take it seriously, quote 'seriously', I mean not patronize it. It's a big mistake to patronize it and think it's a third rate medium, because it's not, it's a great art form.

For me, time is the greatest mystery of all. The fact is that we're dreaming all the time. That's what really gets me. We have a fathomless lake of unconsciousness just beneath our skulls.

I remember coming to New York, in 1974 to do a play here called Equis. And I remember the first morning getting up and walking around the streets and I thought, "I'm home." I felt really at peace here.

I could stay making nice safe BBC movies for the rest of my life, so I decided to risk it. It was a challenge, to work with Oliver Stone.