I worked with Lawrence Olivier some years ago. He was a great mentor.

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting.

My father wasn't a cruel man. And I loved him. But he was a pretty tough character. His own father was even tougher - one of those Victorians, hard as iron - but my dad was tough enough.

You relax within the verse. You realize the structure of the verse and relax into it. It's like swimming. Or riding a bike. You can't make it sound real if you are thinking it through as you go. You can't think through Shakespeare, you have to speak it. And listen to the rhythm of it and then it takes you over. And to make it sound real you speak as if you believe it. Don't act it. Just be it.

You still wake up sometimes. You wake up in the dark and hear the screaming of the lambs.

I don't know what acting is, but I enjoy it.

I thought I did play one villain, Hitler, [who is] like Lecter in some ways, but he's a mythical figure, anyway.