I am not very good with relationships. With anyone. I can't be locked up with anyone for too long.

The trick is not to get too fanatical about getting the accent too accurate because then that becomes a mask. What I try to do is just painting and sketching some of the sounds without obliterating my own voice.

I hate taxing my mind with analysis. I'm not a good analyst. I cannot talk about acting. I hate talking about it. I hate talking about analyzing.

I worked with Lawrence Olivier some years ago. He was a great mentor.

There's no truth in acting, it's all a trick, because you go on stage in front of sets, you're on film - it's all a trick. I'm making it sound very - I really am demystifying it, but what I try to do, what I do, and I hope effectively, is to create a reality as if it is happening now, that you're fishing for words out of the air.

I am able to play monsters well. I understand monsters. I understand madmen.

I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.