I am not very good with relationships. With anyone. I can't be locked up with anyone for too long.

I'm fascinated by the fact that we can't grasp anything about time.

It was a challenge, to work with Oliver Stone.

Working with Katherine Hepburn, she said to me, "Don't act." She said, "Read the lines. Just be. Just speak the lines." I said, "Okay." She said, "You look good. You got a good pair of shoulders, you got a good head, good face."

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

Some nights you might go through an entire performance and not feel a thing, and the audience may have a much better time, 'cause if you're enjoying yourself on stage too much, they're having a terrible time because they can't hear you. And if you're a woman your mascara's running.

I wouldn't use the word 'scared' for my role as Hitchcock, but it was my most insecure. Taking on such a formidable, giant personality such as Hitchcock; he was one of the great geniuses of world cinema. Sheer genius.