The outsider hero is hero riding into town, he's the gunslinger, shame - the same thing, he didn't want to do it anymore, he wanted to live a different life but part of who you are sort of haunts you and you can't run away from evil and if you have special skills, and most people are mistreated, which is unfortunately in our world, we always need an equalizer, that type of character to come to our rescue.
Antoine FuquaOne hundred percent, I mean, many of the Sergio Leone movies were with Clint Eastwood, and that's what it is.
Antoine FuquaI would be lying to you if I said I wouldn't love for it [Equalizer] to become a franchise, I would love for it to become a hit and all that great stuff. Who knows-you just make the best movie you can make, you know it's like, eat the whole thing, one piece at a time. And then, we'll see what happens, I would love for it to be.
Antoine FuquaI like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
Antoine FuquaWhat I learned is, don't forget who you are, because that's what's going to make you a filmmaker.
Antoine FuquaIt's not worth it, it's not about money, especially when you're dealing with a culture. It should be about elevating the idea of what we are and who we are as people in the cinema, and that kind of stuff keeps dragging us back down.
Antoine FuquaThere are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
Antoine Fuqua