The outsider hero is hero riding into town, he's the gunslinger, shame - the same thing, he didn't want to do it anymore, he wanted to live a different life but part of who you are sort of haunts you and you can't run away from evil and if you have special skills, and most people are mistreated, which is unfortunately in our world, we always need an equalizer, that type of character to come to our rescue.

I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.

There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.

I don't think the audience goes and thinks of the movie as a piece of art - there are some independent people who may go and have a higher appreciation for filmmaking. It is a great art form, but I don't think you look at a painting and a movie with the same eye.

I like the opportunity to make films.

One hundred percent, I mean, many of the Sergio Leone movies were with Clint Eastwood, and that's what it is.

Movies are so hard to get made - every step of the way of making a movie has obstacles. If you don't have that passion, if you don't have that vision, if you don't believe it's a piece of art worth making, then you probably won't get it made - you won't have a chance for it to be something special.