When an actor has money he doesn't send letters, he sends telegrams.

If ever my life can be of any use to you, come and claim it.

Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or prison.

People's destinies are so different. Some people drag along, unnoticed and boring—they're all alike, and they're all unhappy. Then there are others, like for instance you—you're one in a million. You're happy—

Let the things that happen on the stage be just as complex and yet just as simple as they are in life. For instance, people are having a meal, just having a meal, but at the same time their happiness is being created, or their lives are being smashed up.

In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.

One usually dislikes a play while writing it, but afterward it grows on one. Let others judge and make decisions.