I've gotten used to not looking too far into the future; it's best when you can begin each day anew.

My biggest fear always is that I’ll photograph an idea rather than a person, so I try to be quite sensitive to how people are.

I am a village boy, and Amsterdam for me was always the big town.

I've gotten used to not looking too far into the future; it's best when you can begin each day anew.

I work using the Brian Eno school of thinking: limit your tools, focus on one thing and just make it work… You become very inventive with the restrictions you give yourself.

I don’t crop my images and I always shoot handheld. By doing that I build in a kind of imperfection and this helps to emphasize reality.

The really simple approach to photography is a great balance to making the films.