I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.

Conducting! A subject, truly, concerning which much might be written, yet scarcely anything of real importance is to be found in books.

It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities.

Of course, experience strengthens one later.

America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.

Composers are not all good conductors.

The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.