I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.

I have often heard the statement made by foreign singers, as a demonstrated fact, that the German artists are artists in feeling indeed, and serious in their devotion, but that their singing is crude.

Of course, experience strengthens one later.

Composers are not all good conductors.

The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.

Conducting! A subject, truly, concerning which much might be written, yet scarcely anything of real importance is to be found in books.

It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities.