I think what inspires me is in a constant state of flux...it's easier to stick to photographers and perhaps cinematographers, though the great medieval, Mannerist, and Baroque painters of Italian, Spanish, Flemish, and German origin are a constant source of inspiration, along with select modernists like Dali.

I want things to be characters and not me. Why would I want to play me?

I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been tremendously influenced by noirish cinema whether that's Von Sternberg or Scorsese in the 70s or Lynch, etc.

You don't share the things you're forced to share [on a movie set].

In a relationship when things are really great you don't need to say anything and just enjoy the other person. Sometimes with a couple, it gets dark and you don't know what to say and that silence can last all day. Other times you don't want to stop talking because you don't want to lose one another.

I was drawn to photography as an extension of film, and the beauty of film is that it's a sensuous, fetishistic medium.

There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that director because he loves actors."