One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.

There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, "I really didn't like that movie, but I want to work with that director because he loves actors."

The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.

I need what I'm thinking to come out into the world, even if it's a two-word approval, like, "Yeah, I agree," I need that approval so that in the morning I can get up and use that when I go to work. It's a weird version of focusing.

Russia itself is an extremely complex country, and sometimes I feel like all of that comes back to haunt me. I can see why so many Russian writers were so tortured.

My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.

I think you can always find interesting, complex and fascinating characters to play in different kinds of movies. It's in your hands.