When you work in a different language you are not so attached to the words.

Always when you go to a new country and they teach you bad words, you just say them without knowing the value and people look at you because you didn't know that value of them.

I don't want anything I don't deserve, but if they offer me more money, I'm not stupid.

As much as you know it, and you know the method, you can pretty much do what you want. No idea is going to be shot down. You just put it in the garbage later. You have to say the lines in many different ways. So they have a lot of material to work.

One thing I have clear is that I don't want to work for money anymore.

Sometimes I feel very guilty, so I don't know if I am a clear example of a perfect father, because sometimes I also just punish myself, saying I'm not doing probably the right thing at this particular moment. It's a secret.

I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.