I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.

I mean, the Constitution of this country was written 200 years ago. The house I was living in in Madrid is 350 years old! America is still a project, and you guys are working on it and bringing new things to it every day. That is beautiful to watch.

I had an idea and I wanted just to make it work. And I am never, ever secure on the set that what I am doing is going to translate to the screen. It never changes.

One thing I have clear is that I don't want to work for money anymore.

Sometimes I feel very guilty, so I don't know if I am a clear example of a perfect father, because sometimes I also just punish myself, saying I'm not doing probably the right thing at this particular moment. It's a secret.

It is very difficult to follow your own method all the time because you may crash against some directors who want from you something different. Trying to understand the material, who you're working with, and how can you fit in there. That is my approach.

I love my country. And I would have to renounce my Spanish citizenship to become a U.S. Citizen.