I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.

I couldn't be with someone who is depressed all the time.

If you become very self-conscious about what you are doing, you kill. You kill the character. Then it doesn't work. You have to come from a sincere place. And you don't think too much. I don't go to the hotel and I start thinking what am I going to say tomorrow and start writing things down.

It is just a very freaky experience when you go to the movie theater and you see it for the first time. In close-up you see those eyes. There are little touches here and there that I recognize as myself. The process is fun.

When I do a political movie, I do a political movie.

Cats are very independent animals. They're very sexy, if you want. Dogs are different. They're familiar. They're obedient. You call a cat, you go, 'Cat, come here.' He doesn't come to you unless you have something in your hand that he thinks might be food. They're very free animals, and I like that.

I mean, the Constitution of this country was written 200 years ago. The house I was living in in Madrid is 350 years old! America is still a project, and you guys are working on it and bringing new things to it every day. That is beautiful to watch.