I went to New York to be where the beautiful people were and it didn't disappoint me. It's so open. It's a great platform to do your own thing or start new things. When I got there, I started living for the first time.

I think what holds people up in creative processes is the expectation of what it is they're doing. It's also the sense of judgement, you know, people editing themselves.

The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.

I'm always feeling excruciatingly embarrassed after a concert; it's such an unnatural thing to do. On one hand, it's so unnatural to step in front of so many people and try to do something like I do, but on the other hand, it can be such a fantastic boon and such a wonderful ride.

I am transgender, so 'he' is not appropriate and 'she' is problematic. I haven't been one to wage war with society to force people to address me a certain way. I let people make that decision for themselves. I don't identify as a man, so 'he' is silly in a way. Being called 'she' as a trans person, trans in the sense that I'm trans, is to be honoured in an aspect of yourself.

Any woman who says she's not a feminist is just someone who's afraid of being penalised for saying she wants to advocate for women.

I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.