I think what holds people up in creative processes is the expectation of what it is they're doing. It's also the sense of judgement, you know, people editing themselves.

You need to release yourself of any expectation of what that material should be. Just start letting it be what it's naturally evolving into, even if it means just pulling words out of the dictionary and laying them one after another. Words are everywhere.

I just feel like [creativity] is a reflection of the world around me and I don't think you can divorce yourself from that. So I don't really think in terms of, 'Do you still have it?' Even if I was doing something new, I think I would be engaged in the same process.

Diane Cluck is a virtuosic talent with an emotionality that feels at once ancient and alien. Her mastery of her voice as an ecstatic instrument is so compelling.

Any woman who says she's not a feminist is just someone who's afraid of being penalised for saying she wants to advocate for women.

History has been male and the future is female. Leaning on women as a body and the female archetype, and not just women but men - we're asking men to dig deep and deconstruct their seat of privilege. Because this is an emergency. We're in threat of losing our homes, the future of our future generations, and the biological paradise that we're apart of. It's in the interest of all people that we lean on the feminine archetype in our movement forward.

Every year I used to write a musical inspired by John Waters, and I would get all my friends together and put on this perverse, emotional, tragic musical.