Melissa Pritchard's prose, that darkly lyrical firmament, is brightened by the dizzy luminous arrangement of her stars and satellites, her great gifts to us: humor, irony, kindness, brilliance.

There are a thousand things to hear about, informationally, daily, but the thing that doesn't go away is the one to pay attention to.

If the book is finished—published and on the shelf—I do not think of revising it. But if I'm not finished psychologically with characters, they will recur, either as themselves or as new, slightly altered manifestations, and their same issues will reappear. It's a matter of the subject and emotional investment and my own obsessive thinking about various issues It's an unconscious process. To say that a single story is not done isn't quite true. A story can be finished and judged successful or not by somebody else, but if the issue is not done for me, I can count on its reappearance.

Is not Justice just a nice way to say revenge.

Readers will share in the environs of the author and her characters, be taken into the hardship of a pitiless place and emerge on the other side — wiser, warier and weathered like the landscape.

Birdy never felt artistic inclination when armed with a marking implement. What came to her were words, always words, commentary and criticism and correction and simple vocabulary curios; she scratched a few of them on the smooth red wall.

Melissa Pritchard's prose, that darkly lyrical firmament, is brightened by the dizzy luminous arrangement of her stars and satellites, her great gifts to us: humor, irony, kindness, brilliance.