I do not make movies to send any message, but my treatment makes my viewers think on the subject.

I used to spend a lot of time cutting out film posters from papers and putting them up on the wall in my room.

'Bombay Velvet' is my first film in a trilogy about Bombay, before it became a metropolis.

The censor boards are mere redundant forces conspiring to keep the 'bold' films out of reach of the audience.

One must go for a film with an open mind; a film best impacts you when your mind is a blank page to the film.

Conventional Indian cinema is about people falling in love. They sing, they dance.

It was only in the early 1990s - during my student years as an aspiring scientist at Delhi University - that I discovered the world of cinema.