A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

I used to love jungle. I still think it's the ultimate genre, really, because the people making it weren't musicians.

If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."

It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.

In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.

it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.