I want to produce with people that are going to be on the charts and win Grammys because having regular old street songs is cool, but I did all that already.

I'm a drummer. I've been playing since I was three. I was in college bands when I was in elementary school: you'd see all these older kids and then this little kid behind the drums creating this big sound.

I saw someone label me as a dubstep producer but I'm definitely not a dubstep producer. There's nothing wrong with that, though, because that's major. But it's like a school bus driver being labeled as a NASCAR driver. I would love to be a NASCAR driver, but I drive buses for a living.

I am an alien. I start a lot of relationships with artists because of what I'm capable of doing with the machine and with beats. Anyone can just listen to a beat, that's boring. But when you actually perform in front of them, it's like: wow. It's undeniable talent. That's my advantage.

What's crazy to me is that people now assume I'm behind [hip-hop] tracks that other people are putting out. They're just sitting on the edge of their chair waiting for me to put out [rap beats]. But it's not going to happen. I've graduated from that.

I don't want my music to stay New York, I want it to be everywhere.

Nowadays, all the people who are major are just DJs. The lighting and all that makes the show - without all of that stuff, it's just a person behind a laptop. With me, though, it's an actual show.