I gather you yellow-skinned men, despite your triumphs in sewage, drinking water, and Olympic gold medals, still don't have democracy. Some politician on the radio was saying that that's why we Indian are going to beat you: we may not have sewage, drinking water, and Olympic gold medals, but we do have democracy. If I were making a country, I'd get the sewage pipes first, then the democracy, then I'd go about giving pamphlets and statues of Gandhi to other people, but what do I know? I am just a murderer!

The story of a poor man's life is written on his body, in a sharp pen.

In a sense, being a full-time writer is less fun because there's no office to go to anymore, there's no set routine, there's no schedule. It can be quite isolating.

Mangalore, the coastal Indian town where I lived until I was almost 16, is now a booming city of malls and call-centres. But, in the 1980s, it was a provincial town in a socialist country.

Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.

When I was writing 'The White Tiger' I lived in a building pretty much exactly like the one I described in this novel, and the people in the book are the people I lived with back then. So I didn't have to do much research to find them.

Do you know about Hanuman, sir? He was the faithful servant of the god Rama, and we worship him in our temples because he is a shining example of how to serve your masters with absolute fidelity, love, and devotion. These are the kinds of gods they have foisted on us Mr. Jiabao. Understand, now, how hard it is for a man to win his freedom in India.