Like most of my friends in school, I was a member of multiple circulating libraries; and all of us, to begin with, borrowed and read the same things.

It has always been very difficult for writers to survive commercially in India because the market was so small. But that's not true at all any more. It's one of the world's fastest growing and most vibrant markets for books, especially in English.

A rich man's body is like a premium cotton pillow, white and soft and blank. ''Ours'' is different. My father's spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog's collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man's life is written on his body, in a sharp pen.

I’ve lived in several countries and been a disaster everywhere.

Mangalore, the coastal Indian town where I lived until I was almost 16, is now a booming city of malls and call-centres. But, in the 1980s, it was a provincial town in a socialist country.

Indians mock their corrupt politicians relentlessly, but they regard their honest politicians with silent suspicion. The first thing they do when they hear of a supposedly 'clean' politician is to grin. It is a cliche that honest politicians in India tend to have dishonest sons, who collect money from people seeking an audience with Dad.

In a sense, being a full-time writer is less fun because there's no office to go to anymore, there's no set routine, there's no schedule. It can be quite isolating.