I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.

I try to have things change before I get bored, and I figure other people might enjoy that too; I try not to let anything repeat for long enough that you can get used to it.

I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music.

You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.

There is also a particular frustration that I have with language. It's so clumsy. And the reason I'm feeling that is more because on your breathing and your intonation than the actual words.

If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away.

Something I keep coming back to in my music is the tension between two extremes: healing and chaos, hope and anxiety - these big themes are inside us, flickering, all day.