So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.

So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him.

Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.

Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.

So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.

To some degree, yeah, because I have to play a certain number of originals that might be considered avant-garde material. I realize though, that only a few people in the audience actually know what that music is, or understand it.

Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.