A whole generation of young whites have involved themselves with traditional Negro music.

And when I met Cecil Taylor it was a complete transformation of musical identities. All the tenets that I had grown up with were thrown out the window.

Music and culture are intrinsically improvisational, existential.

A whole generation of young whites have involved themselves with traditional Negro music.

So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.

You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory.

Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.