It's the people that ultimately are less talented or have less confidence in what they're doing that then try to micro-manage, which lends itself to a less than ideal film.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

Regardless of what kind of film, the number one rule of comedy is to never take yourself too seriously and then the next rule is you can't have any self-consciousness, otherwise it kills the laugh, and that will never change.

Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.

It's exciting to look back at the work that I've done and not have a single regret about a job I've taken. I feel really proud of every film I've been a part of. Big or small role, I feel like it was the right choices.

All I can to, and the only sense of control I have over this crazy moviemaking business, is to pick things that I like with people that I love and respect, and then just hope everything else works out.

I did babysit a little bit when I was young. I prefer babysitting for babies. I always loved babies. I was not as great with kids that wanted to be entertained and that wanted to talk.