I am excited about more than just youth culture, and youth is also stretching a bit longer now. But I have to say resistance and disregard keeps me excited.

I have always made films simultaneously, so they go hand in hand. I think that my books are like films.

When you're with people that are aware of the fact that you're a photographer, they'll say, "Oh, look at that! That's something to take a picture of!" That's almost a sure sign that you shouldn't do it.

In New York, unlike Holland, there are newspaper stands on every corner. That was a big headline all over the city.

My photography has really always been about what I feel I'm getting out of it. What people on the outside get doesn't concern me.

I had visited New York at age 12, and I loved the big buildings and the swarms of people. At 23, I decided to try it. I was going to go for six months, and I ended up living there for 18 years before I moved to California, so I am living the American Dream.

As my sons went into teenagehood, they started to look like some of the groups of people that I had photographed previously. They started to become like my old subjects. As if, as a photographer, you come around to the same visual points.