I know when somebodys heard my music. I can hear it in their music.

There's always room for improvement. I'm always focused on the results, and those are the precise things that I don't really experience as a part of the performance.

I get to live down my reputation for being cantankerous if I slowly evolve towards being a really good live show.

You marry your friends when you stay with your friends. It's hard enough to find a good roommate, let alone a good person you can live with and fall in love with at the same time. You might as well just take your roommate, if you can find one, and marry them. I mean, if you can find somebody that doesn't drive you crazy, I would say marry that.

I always want to do something that just sort of fits the mood. It's supposed to help the song, it's not supposed to take away from the song or re-contextualize it. I always feel like the less you make it a conceptual territorial debut, the better.

As soon as you start to think of that thing that you want to convey or say, you can always just say it much better than you can actually rhyme it or stuff it into a song. It's very, very difficult to just kind of get your point across without going the back way. And you have to be good at that, to not think about things so hard. Let the pen take over, so that it's somebody else's job to dissect the lyrics and tell you what you're all about.

It's really the creature of my own making from top to bottom. I appreciate that. And the good fortune, the perseverance, having the stamina to stick around longer than everyone else even after people write you off - that's always been a good motivating force in my life.