I try to do romantic gestures all the time. For instance, this morning I work up early -- earlier than I would have normally liked to have woken up. Elizabeth [Chambers] was still asleep, so I just laid in bed and cuddled with her for an hour. I just ran my hands over her body. It was nice.

You have to emote much more to get what you're trying to get across to come through a quarter inch of latex that's superglued to your face.

I'm half Jewish, but no one believes me because my looks lean a little WASP-y... It's sometimes hard for me to get the roles I'm drawn to.

I never grew up reading or fantasizing about fairy tales. I was always too busy, like, outside being a kid.

My entire life had been this long, pressured conversation about the family I represented. 'When you walk out the door, you represent us. You have to dress well and make sure your hair is combed.

Yeah, I mean I've definitely had a bunch of action scripts sent to me, but again I'm a stickler for directors. If it's like an action flick with a great director then it's like 'Oh let's look at this thing,' but if it's just like a shoot-em'-up with a first time director. I don't know if that's the trajectory I want to take with what I'm doing.

Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.