I think many writers write because it's a convenient way to explain themselves to themselves. We take the chaos and the turmoil and the bullshit of our lives, and we make it into something that has a harmonious shape and sound.

Nobody's happy. What's happy? Happiness is over when the lights come on." The older woman poured herself a glass of sangria. "Screw that," she said quietly. "What?" "Screw that. Wash your mouth out. Who taught you that half-assed existential drivel?

When I started writing Tales of the City I was one year away from being a mental illness. It wasn't until 1975 that the American Psychiatric Association took homosexuality off the list of mental illnesses - and in many states, including the state of North Carolina where I grew up, homosexuality was a crime. An arrestable crime. It still is, in many parts of the world.

I've always drawn on bits and pieces of my own life

Oh, Mona, we're all damned fools! Some of us just have more fun with it than others. Loosen up, dear! Don't be so afraid to cry . . . or laugh, for that matter. Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool!

I tend to prefer the shelter of fiction.

Mona knocked at the wrong time. “Uh…yeah…wait a minute, Mona -- ” Mona shouted through the door. “Room service, gentlemen. Just pull the covers up.” Michael grinned at Jon. “My roommate. Brace yourself.” Seconds later, Mona burst through the doorway with a tray of coffee and croissants. “Hi! I’m Nancy Drew! You must be the Hardy Boys!