Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination -- the usefulness of toys -- and strictly celebrates consumerism.

If critics and fanboys weren't suckers for simplistic nihilism and high-pressure marketing, Afterlife would be universally acclaimed as a visionary feat, superior to Inception and Avatar on every level.

Anyone who sees the realism in Lynch truly understand poetry!

Like one of those fake-smart, middlebrow TV shows, the speciousness of The Social Network is disguised by topicality. It's really a movie excusing Hollywood ruthlessness.

Now that the Harry Potter series is over, maybe the truth can be realized: This has been the dullest franchise in the history of movie franchises.

Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination -- the usefulness of toys -- and strictly celebrates consumerism.

The corniest movie ever made about the white man's need to lose his identity and assuage racial, political, sexual and historical guilt.