the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely.

Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.

the 'total overpaintings' developed... through incessant reworking. The original motif peeped through the edges. Gradually it vanished completely.

... I felt like a new man; but I was disappointed with the photographic documentation because I still saw always the old self.

Only an 'almost,' a 'nearly,' is possible.

I have settled down in this border area; I am trying to find distinct standards of shape, and I long to experience, formulate, and evoke this dark, heavy, tranquillity.

In 1968 I frequently would sit in a photo booth and practice self mirror images which I then documented photographically. Curious types would always open the curtains and chase me away. Today I work with a photographer.