How is it to be explained that something inside me revolts against the playing of obvious moves? Perhaps we may perceive the underlying reason in the fact that I derive satisfaction from seeking to reveal the concealed meaning of a position by means of maneuvering play and therefore I do not wish to see this satisfaction curtailed by a banal, more or less fortuitous decision. Naturally, this phenomenon is played out beneath the threshold of consciousness. The waking consciousness will, of course, in each individual case, give preference to the more rapid means of deciding the game.

When I today ask myself whence I got the moral courage, for it takes moral courage to make a move (or form a plan) running counter to all tradition, I think I may say in answer, that it was only my intense preoccupation with the problem of the blockade which helped me to do so.

It is a well known phenomenon that the same amateur who can conduct the middle game quite creditably, is usually perfectly helpless in the end game. One of the principal requisites of good chess is the ability to treat both the middle and end game equally well.

Ridicule can do much, for instance embitter the existence of young talents; but one thing is not given to it, to put a stop permanently to the incursion of new and powerful ideas.

The passed Pawn is a criminal, who should be kept under lock and key. Mild measures, such as police surveillance, are not sufficient

A thorough knowledge of the elements takes us more than half the road to mastership

How vain are our fears! I thought to myself. Sometimes we fear that which our opponent (or fate) had never even considered! After this, then, is it any longer worthwhile to rack one's brain to find new ghosts to fear? No, indeed: All hail optimism! - upon playing Hermanis Mattison after he overlooked an unusual knight manouevre.