So its mix and match. Hold your line when you really feel something youre saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.

Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.

It seems to me that at 19 or 20, a young man is burning to be great at something. I was. You have a vision that's beyond the neighborhood. You want to make a mark while you're alive. You don't know exactly your future, but you want to be great at it. And greatness is an important word. And you dare not tell anybody how extreme and how burning are your visions, because you don't want anybody to mess with them

I have the feeling that in a balanced life one should die penniless. The trick is dismantling.

So its mix and match. Hold your line when you really feel something youre saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.

We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.

I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.