I'm the kind of person who can hear that stuff. If you sing along to the radio and you're not going to sing unison with the melody, but find the harmony, I find that pretty easy to do.

I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.

Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.

Monterey was the Maraschino cherry on top of the Sundae that was the '60s. It was totally unprecedented, and the audience was unprecedented in their joy.

You jump right over anything in the past, and you don't analyze problems.

By my 40s, I finally got out of my own way, so I could become a life creator; a life giver.

I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.