The Revolutionary's Utopia, which in appearance represents a complete break with the past, is always modeled on some image of the Lost Paradise, of a legendary Golden Age... All utopias are fed from the source of mythology; the social engineers' blueprints are merely revised editions of the ancient text.

Of all forms of mental activity, the most difficult to induce even in the minds of the young, who may be presumed not to have lost their flexibility, is the art of handling the same bundle of data as before, but placing them in a new system of relations with one another by giving them a different framework, all of which virtually means putting on a different kind of thinking-cap for the moment. It is easy to teach anybody a new fact...but it needs light from heaven above to enable a teacher to break the old framework in which the student is accustomed to seeing.

God is dethroned; and although the incognizant masses are tardy in realizing the event, they feel the icy draught caused by that vacancy. Man enters upon a spiritual ice age; the established churches can no longer provide more than Eskimo huts where their shivering flock huddles together.

Prometheus is reaching out for the stars with an empty grin on his face.

...the cosmology of a given age is not the result of unilinear, "scientific" development, but rather the most striking, imaginative symbol of its mentality- the projection of its conflicts, prejudice and specific ways of double-think onto the graceful sky.

The disastrous history of our species indicates the futility of all attempts at a diagnosis which do not take into account the possibility that homo sapiens is a victim of one of evolution's countless mistakes.

The prerequisite of originality is the art of forgetting, at the proper moment, what we know.