The success of a play, especially one's first success, is somewhat like pushing against a door which is suddenly opened that was always securely shut until then. For myself, the experience was invigorating. It suddenly seemed that the audience was a mass of blood relations, and I sensed a warmth in the world that had not been there before. It made it possible to dream of daring more and risking more.

Whoever is writing in the United States is using the American Dream as an ironical pole of his story. People elsewhere tend to accept, to a far greater degree anyway, that the conditions of life are hostile to mans pretensions.

Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.

In America, any man who is not a reactionary in his views is open to the charge of alliance with the Red hell.

When a deposit bottle is broken, you don't get your nickel back.

I still feel-kind of temporary about myself.

If I see an ending, I can work backward.