By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.

The arts can do more to sustain the peace than all the wars, the armaments, and the threats and warnings of politicians.

The play is really a kind of nightmare. It ought to flow rapidly and effortlessly from one moment to another. In London, we had difficulty with the set, which required too much effort to move around. Having gotten the benefit of seeing it done once, I wanted to work on the script, to make it sharper and more pointed.

Everybody likes a kidder, but nobody lends him money.

My plays are always involved with society, but I'm writing about people, too, and it's clear over the years that audiences understand them and care about them. The political landscape changes, the issues change, but the people are still there. People don't really change that much.

Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author.

It may be that even if half consciously, we choose our personalities to maintain a certain saving balance in the family's little universe.