The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

The world is always ending; the exact date depends on when you came into it.

Where choice begins, Paradise ends, innocence ends, for what is Paradise but the absence of any need to choose this action?

Great drama is great questions or it is nothing but technique. I could not imagine a theater worth my time that did not want to change the world.

If you analyse anything, you destroy it.

Don't be seduced into thinking that that which does not make a profit is without value.