The play is really a kind of nightmare. It ought to flow rapidly and effortlessly from one moment to another. In London, we had difficulty with the set, which required too much effort to move around. Having gotten the benefit of seeing it done once, I wanted to work on the script, to make it sharper and more pointed.

Everything we are is at every moment alive in us.

You can't eat the orange and throw the peel away - a man is not a piece of fruit.

They know your name, address, telephone number, credit card numbers, who ELSE is driving the car "for insurance", ... your driver's license number. In the state of Massachusetts, this is the same number as that used for Social Security, unless you object to such use. In THAT case, you are ASSIGNED a number and you reside forever more on the list of "weird people who don't give out their Social Security Number in Massachusetts."

It is my art. I am better at it than I ever was. And I will do it as long as I can. When you reach a certain age you can slough off what is unnecessary and concentrate on what is. And why not?

Few occasions are as joyous to small children as funerals, almost better than the big wedding blowouts that take place at night when it's hard to stay awake. A small boy will never be harshly criticized at a funeral; he is more treasured as death comes close and all his wickedness vanishes before the inescapable fact that thank God, he is healthy.

What work you do! It's strange work for a Christian girl to hang old women!